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Balletboyz
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Balancing Delicacy and Deadlines

Lorna Irvine
Details and the slightest intricacies are key to this showcase of BalletBoyz’ incredible work, displaying their versatility. A hand placed just so, a smile that is hard to read, bodies entwined, in conflict and pushed apart. With an audacious, challenging remit of creating brand new works for the company in just a fortnight, four choreographers bring pieces of delicacy and precision in collaboration with four composers. Balance and power structures is the theme threading through the evening, topped off by a critically acclaimed half hour long piece from 2013 by Russell Maliphant, called “Fallen” (the most balletic in the purest sense) full of bombast, acrobatic language and circularity.
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Paris Opera Ballet
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Unbearable Lightness

Jade Larine
Thierrée, Shechter, Perez, Pite: they could have their names in light anywhere in Europe, but at Aurélie Dupont’s invitation, they shared...
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Natalia Osipova
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Breaking out of the box

Sara Veale
The last programme Natalia Osipova commissioned at Sadler’s Wells was tenacious but shaky, the Royal Ballet superstar storming the stage...
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BalletBoyz
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Old Wounds

Sara Veale
The billing for “Young Men,” Iván Pérez’s contribution to NOW's WW1 Centenary Art Commission, features an up-close shot of a man’s grimy, tear-stained face alongside a quote from Jose Narosky: “In war, there are no unwounded soldiers.”
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Dada Masilo

Swan Lake and its Metaphors

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Making a Statement

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Fjord Trending

March Gladness

Clipped Wings

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The Evolution of Noh

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