On Tuesday evening there were two stories unfolding on the stage of the State Theatre: “Giselle’s” timeworn story of love, betrayal, sorrow, and redemption; and playing the part of Giselle in her second-last Melbourne performance in a title role before she retires, principal Madeleine Eastoe’s farewell.
One of the greatest challenges—and for me, joys—of being a dance critic is navigating the not infrequent clash between contemporary...
Under Tamara Rojo’s direction the English National Ballet have become a strong, ambitious company. Alongside the classical ballets, Rojo has made contemporary works a feature of the company’s repertoire and their latest triple bill comprises the signature works of three of modern dance’s key choreographers—William Forsythe, Hans van Manen and Pina Bausch.
In the Hans Christian Andersen fairytale The Red Shoes, a young girl is given an auspicious gift: a pair of...
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