Forget the merry folk jigs and wispy waltzes; Akram Khan’s “Giselle” entertains none of the levity associated with its 1841...
One of the greatest challenges—and for me, joys—of being a dance critic is navigating the not infrequent clash between contemporary...
On Tuesday evening there were two stories unfolding on the stage of the State Theatre: “Giselle’s” timeworn story of love, betrayal, sorrow, and redemption; and playing the part of Giselle in her second-last Melbourne performance in a title role before she retires, principal Madeleine Eastoe’s farewell.
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