This year’s Fusebox Festival was as rich and urgent as ever, continuing its smorgasbord of community, activism, and aesthetic in performances of all kinds, this time with a particular inquiry into race and borders (especially the one just 240 miles south of Austin). As a resident of a city rife with festivals, I’ve learned that locals’ experiences of such confabs can be orbital: when we are already at home, home pulls us away from the party, even as home is disrupted by the party.
What do gestures become when stripped of their in-the-moment communicative purposes? South American choreographer Luis Garay borrows the word “maneries”...
“We invite you to stay for a post-performance conversation”—these are dividing words. After a recent performance, all but one of...