Remember me. Remember me. The comfort that floats behind the heartache of Henry Purcell’s Lament from “Dido and Aeneas,” When I...
In early April, the Australian Ballet returned to the main stage of the Sydney Opera House for the first time...
Beginning in the light of the moon, a remembering. Beginning with a much-loved (and most-performed) “Serenade” by George Balanchine in...
The last decade of Christopher Wheeldon’s career has gone by in a blur. The global nature of the ballet world...
Today I’m speaking with David Hallberg. We actually started this season with David McAllister who had just stepped down as...
The American Ballet Theatre broadcast a program of world premieres free over YouTube last week. I liked everything about it...
