Organs, teeth, flesh, bone. Part indestructible, part fallible. That the body is a marvellous tool none would deny. All this...
Monstrous is misshapen. It is disgusting and ghastly. It is hideous and grotesque. The opposite of lovely—any thesaurus can give you a list longer than a fiend’s tale of words to describe a creature ugly, malformed, repulsive, repellent and horrifying.
I grew up watching Lucky and Penny spin about the dance floor. I knew their every line, and, more importantly,...
“[Gu:t] 굿 ”, conceived and performed by Soo Yeun You and Albert David, is a work in progress, and an intriguing part of Dance Massive 2013.
“Meeting” revealed a pattern defined by sixty-four small-scale robots whilst “Overworld” writhed in a chaotic pattern of YouTube fragments tethered to the four elements, earth, air, fire, and water.
3, 2, 1, go.
Beyoncé ‘borrows’ moves from the Belgian choreographer Anne Teresa De Keersmaeker. She duplicates De Keersmaeker’s “Rosas Danst Rosas” (1983) in her 2011 clip “Countdown.” It isn't plagiarism; it’s homage, it’s a tribute, darling. Besides, what’s original anyway?
