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    Happy Days

    The Statement

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Crystal Pite

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Betroffenheit
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A poignant portrait of grief

Sara Veale
Hot on the heels of a widely acclaimed premiere with the Royal Ballet, Canadian choreographer Crystal Pite is back in the laudatory limelight, this time with an Olivier Award, won for her 2015 dance theatre work “Betroffenheit,” co-created with Jonathon Young of Electric Company Theatre.
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Scottish Ballet
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Body was Made

Lorna Irvine
It’s not often I feel left a little cold by beautiful male dancers moving in a space. But the first...
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Angels' Atlas
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Seeing in the Dark

Josephine Minhinnett
I had high expectations going into the National Ballet of Canada’s mixed program on opening night. What was on the...
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Crystal Pite
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Modern Landscapes

Sara Veale
Sadler's Wells first started appointing associate artists a decade ago, and the prestigious title has evolved into a distinct badge of influence: Sadler's associates don't simply add to the landscape of contemporary dance; they decide where its borders will extend to next.
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The Statement
Dance FilmReviews

Making a Statement

Róisín O'Brien
What is the friction between words and movement? What does one give us that the other doesn’t? If there is...
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scottish ballet emergence
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On Edge

Sara Veale
On the back of a US tour of Annabelle Lopez Ochoa’s imaginative reworking of “A Streetcar Named Desire” comes another bold showing from Scottish Ballet: a double bill with works from Crystal Pite and Angelin Preljoçaj. It’s an edgy turn for the company, and some slick, focused displays of dance arise from it, particularly in Pite’s “Emergence,” created in 2009 for National Ballet of Canada and acquired by Scottish Ballet last year.
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Crystal Pite Seasons Canon

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Happy Days

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