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    Happy Days

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Crystal Pite

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Betroffenheit
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A poignant portrait of grief

Sara Veale
Hot on the heels of a widely acclaimed premiere with the Royal Ballet, Canadian choreographer Crystal Pite is back in the laudatory limelight, this time with an Olivier Award, won for her 2015 dance theatre work “Betroffenheit,” co-created with Jonathon Young of Electric Company Theatre.
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Harry
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And all that Jazz

Victoria Looseleaf
Ballet and jazz can make for some interesting, if occasionally odd bedfellows. Throw in some cookware and neo-Pina Bausch gestures, and a program could turn raucous, joyful and, well, neither balletic nor jazzy.
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Revisor
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Comedy & Corruption

Rachel Elderkin
There is a striking clarity and intelligence with which Crystal Pite and Jonathon Young approach narrative. Their combination of choreographer...
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A Welcome Redress

Sara Veale
In the ballet world, female choreographers remain, unfortunately and infuriatingly, the exception rather than the norm. Ballet British Columbia artistic...
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Scottish Ballet
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Body was Made

Lorna Irvine
It’s not often I feel left a little cold by beautiful male dancers moving in a space. But the first...
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Crystal Pite
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Dancing Melodies

Sara Veale
The intricate music of London-based contemporary composer Thomas Adès unites the pieces, each of which features the musician conducting from the pit or tickling the ivories on stage.
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