Remember me. Remember me. The comforting darkness that floats behind the heartache of Henry Purcell’s Lament from “Dido and Aeneas,”...
What is the friction between words and movement? What does one give us that the other doesn’t? If there is...
Time is of the essence at the Royal Opera House this spring. It hazily drifts past in Kyle Abraham’s “The...
There is a striking clarity and intelligence with which Crystal Pite and Jonathon Young approach narrative. Their combination of choreographer...
From mimicking the swarming of bees in “Emergence,” to grappling with forces of nature in “The Seasons’ Canon:” Crystal Pite...
I had high expectations going into the National Ballet of Canada’s mixed program on opening night. What was on the...
