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Crystal Pite

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Serious Play

Gracia Haby
Remember me. Remember me. The comforting darkness that floats behind the heartache of Henry Purcell’s Lament from “Dido and Aeneas,”...
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The Statement
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Making a Statement

Róisín O'Brien
What is the friction between words and movement? What does one give us that the other doesn’t? If there is...
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Dancing in Time

Róisín O'Brien
Time is of the essence at the Royal Opera House this spring. It hazily drifts past in Kyle Abraham’s “The...
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Comedy & Corruption

Rachel Elderkin
There is a striking clarity and intelligence with which Crystal Pite and Jonathon Young approach narrative. Their combination of choreographer...
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Human Movement

Róisín O'Brien
From mimicking the swarming of bees in “Emergence,” to grappling with forces of nature in “The Seasons’ Canon:” Crystal Pite...
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Angels' Atlas
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Seeing in the Dark

Josephine Minhinnett
I had high expectations going into the National Ballet of Canada’s mixed program on opening night. What was on the...
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