Marie-Agnès Gillot is one of a kind, one in a million. She has arms and legs for days, which she...
Reuniting two separated siblings, opera and ballet, was Benjamin Millepied and Stéphane Lissner’s mantra. And so they did. The premiere...
Ballet and jazz can make for some interesting, if occasionally odd bedfellows. Throw in some cookware and neo-Pina Bausch gestures, and a program could turn raucous, joyful and, well, neither balletic nor jazzy.
The premiere of the new ballet season celebrated the Paris corps de ballet with a triple bill dedicated to its...
A newsworthy ballet director, Aurélie Dupont has remained quite vague about her artistic projects for the company since she took...
True to its mission of being an artistic collective, and loosely based on the principles of Diaghilev’s Ballets Russes, where...
