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Ballet

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Natalia Osipova and Ivan Vasiliev
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Solo for Two

Victoria Looseleaf
Today’s dancers are getting younger and more technically dazzling, coming from the jump-higher-turn-faster school of ballet. Indeed, “So You Think You Can Dance,” where the 90-second “contemporary” swaggerfest lives, springs to mind. But the question remains: Are these brave young terpsichores also more artistic or is it merely a surface thing? Read More
the royal ballet
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Sixties Swing

Sara Veale
The Royal Ballet’s first mixed bill of the 2019/20 season is a snapshot of 1960s British ballet and the polar... Read More
Los Angeles Ballet
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Los Angeles Ballet Brilliant

Victoria Looseleaf
Bubbles at the ballet! And what a fantastic way to end a program, which is precisely what Los Angeles Ballet... Read More
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Brilliant Moderns

Gracia Haby
The emotionally driven “Little Atlas” and Richard House’s “From Silence” were in contrast to the other divertissements presented as part of the Australian Ballet’s “Symphony in C” line up. Two new choreographic works harking back to the Bodytorque programme which nurtured new voices. Read More
Graeme Murphy's Swan Lake
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Of a Feather

Gracia Haby
The mad beating of wings at your windowpane, a harbinger of death, the ultimate lost soul; a peacock’s feather in the house, unlucky you’ll be. Read More
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A Sweet Debut

Oksana Khadarina
Two new ballets created by Alexei Ratmansky were unveiled by two major ballet companies in New York this spring season: New York City Ballet premiered “Odessa” during Here/Now Festival at the David H. Koch Theater; and American Ballet Theatre presented “Whipped Cream” at the Metropolitan Opera House. (This was a New York premiere of “Whipped Cream.” The ballet was first performed by ABT in March at the Segerstrom Center for the Arts in Costa Mesa, California.) Read More
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