Having retired as a dancer from Scottish Ballet in 2017, artist-in-residence choreographer Sophie Laplane always delights in anything she turns... Read More
“Frankenstein” lumbered its way across the pond last weekend with much hoopla about its creator, Liam Scarlett, being the “youngest choreographer ever to have a full-length ballet commissioned by the Royal Ballet,” and advertisements emphasizing that this co-production between San Francisco Ballet and the Royal is “more a love story than a monster story.” Read More
The emotionally driven “Little Atlas” and Richard House’s “From Silence” were in contrast to the other divertissements presented as part of the Australian Ballet’s “Symphony in C” line up. Two new choreographic works harking back to the Bodytorque programme which nurtured new voices. Read More
Sixty minutes is a tricky length for a work of dance. Slot an uninterrupted hour of dance into a mixed... Read More
“Mirrors” opened with a work previously set on Boston Ballet. “Resonance”—choreographed by José Martinez and recently revived through the support... Read More
Any performance of a work by William Forsythe comes with a certain degree of technical expectation—an all-Forsythe triple bill is,... Read More
