The New York City Ballet opened its Fall Season with a bill of three Balanchine ballets which premiered in a...
This return of Miami City Ballet felt like lifting the curtain on a new, wide-open moment. Fifteen years have passed...
The first time the scope of Balanchine’s Stravinsky Festival hit me, it was physical; I recognized it in my dancing...
Jennifer Homans, The New Yorker’s dance critic, has written a must-read biography, Mr. B: George Balanchine’s 20th Century. While plenty...
To many dancers, Balanchine is a figure so imbued with history, he’s almost not real. He lives on through his...
It has been a few years since New York City Ballet danced Balanchine’s “Symphony in Three Movements,” so its return...
