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A Final Serenade

Rebecca Ritzel
There could be no more auspicious moment for Suzanne Farrell to mark the closure of her ballet company than December 2017. With the New York City Ballet future of her former partner Peter Martins very much in doubt, Farrell sent her dancers out onstage at the Kennedy Center last week to perform works she and Martins had often danced together, works created by the man who cast her out of his company after she rebuffed his proposal.
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Sara Mearns
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A Midsummer Night’s Breeze

Jade Larine
As France was mourning the loss of its Nice fellow citizens, the warm tribute which the New York City Ballet...
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A New York State of Mind

Claudia Lawson
In early April, the Australian Ballet returned to the main stage of the Sydney Opera House for the first time...
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A Last High Kick

Ilena Peng
Principal dancer Maria Kowroski’s first entrance of Sunday’s program was just walking slowly toward principal Russell Janzen in George Balanchine’s...
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A New Firebird

Oksana Khadarina
As the coronavirus pandemic brought live performances to a halt, many ballet companies around the world turned to online platforms...
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A Royal Affair

Faye Arthurs
The dance scene throughout the pandemic has largely consisted of old, recorded performances being posted online. These videos have their...
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