Since Eleonora Abbagnato has been Ballet director at Opera in Rome, glamour as well has entered the theatre. A popular...
In the Hans Christian Andersen fairytale The Red Shoes, a young girl is given an auspicious gift: a pair of...
It’s not often I feel left a little cold by beautiful male dancers moving in a space. But the first...
While the global village keeps getting smaller, thanks to Google, YouTube, Instagram and the like, the real world of dance,...
On the back of a US tour of Annabelle Lopez Ochoa’s imaginative reworking of “A Streetcar Named Desire” comes another bold showing from Scottish Ballet: a double bill with works from Crystal Pite and Angelin Preljoçaj. It’s an edgy turn for the company, and some slick, focused displays of dance arise from it, particularly in Pite’s “Emergence,” created in 2009 for National Ballet of Canada and acquired by Scottish Ballet last year.
After taking her final bows as Juliet at the Metropolitan Opera House with American Ballet Theater in June of 2007,...
