This year’s Fusebox Festival was as rich and urgent as ever, continuing its smorgasbord of community, activism, and aesthetic in performances of all kinds, this time with a particular inquiry into race and borders (especially the one just 240 miles south of Austin). As a resident of a city rife with festivals, I’ve learned that locals’ experiences of such confabs can be orbital: when we are already at home, home pulls us away from the party, even as home is disrupted by the party.
In this work by Guerin, in which I see the film through the dancers’ own interpretations of the film they are watching—can I trust their reading/translation of the drama as it unfolds or will they double-cross me?
Organs, teeth, flesh, bone. Part indestructible, part fallible. That the body is a marvellous tool none would deny. All this...
“Please continue.” “The experiment requires that you continue.” “It is absolutely essential that you continue.” “You must go on, there...
“Meeting” revealed a pattern defined by sixty-four small-scale robots whilst “Overworld” writhed in a chaotic pattern of YouTube fragments tethered to the four elements, earth, air, fire, and water.