The emotionally driven “Little Atlas” and Richard House’s “From Silence” were in contrast to the other divertissements presented as part of the Australian Ballet’s “Symphony in C” line up. Two new choreographic works harking back to the Bodytorque programme which nurtured new voices.
My belief that you cannot see a work unfold without finding some gem to pocket was not tested this year, and so ‘if you look, you will find’ remains my unchallenged maxim.