A Parisian Dream
A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
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“Skeleton Song,” by UK-based singer and composer Ana Silvera, is the second song from her BASCA-nominated song-cycle Oracles, released by Gearbox records. Written following an intense period of grief, Oracles was Silvera’s way to transmute her emotions into a cathartic work of art: “I wrote Oracles in a state of absolute urgency and emergency—it felt like I had been buried in the ground myself, and writing this music was a small pocket of air, my chance to breathe again,” Silvera notes. The dance film/video clip was a unique collaboration between Kate Church (dancer, director, choreography) and Alice Williamson (co-direction, costume and choreography), shot by DOP Mats Willand and produced by Stephanie Moon.
Still from “Skeleton Song,” a dance film co-directed by Kate Church and Alice Williamson
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A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
Continue ReadingEntering his 10th year as artistic director of Philadelphia Ballet, Ángel Corella put his artists through a ring of fire in their early spring concert at the Academy of Music.
Continue ReadingIn her 1951 autobiography Dance to the Piper, Agnes de Mille spends seven pages describing in colorful detail what it was like to be on the road with the Ballets Russes.
FREE ARTICLESix dancers enter from stage left and position themselves along the rear wall, their backs to the audience. Today, the light through a row of windows casts them in silhouette.
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