Alessandra Ferri celebrates her 40-year long career with a historical piece revived, “L’Heure Exquise,” variations on a theme by Samuel Beckett, “Oh, les beaux jours,” which premiered at Ravenna Festival, at Alighieri Theatre, in June. Not...
The “Five Minute Call” proceeds a bit differently for this final offering...
When I attended a performance at the Kaatsbaan Cultural Park last summer,...
Gavin Larsen was a professional dancer for eighteen years, first with Pacific...
Toronto-based choreographer and dancemaker Esie Mensah says that she likes to “poke...
It has been over a year since theatres closed due to Covid-19...
Andrea Schermoly’s Rite of Spring, a dance film created for Louisville Ballet...
There’s something of a disconnect when you watch a live performance of...
The Martha Graham Dance Company turned 95 on April 18th. The company...
Part of thinking about dance is thinking about bodies, the space they...
New York City Ballet’s Spring Gala featured excerpts by George Balanchine, Jerome...
Twice a year the Australian Ballet relocate to the Sydney Opera House...
At first, there is nothing—just the cream and brown clad figure of...
The beloved festival of performance, provocation and boundary pushing, Take Me Somewhere,...
Pennsylvania Ballet’s recent virtual production, “Resilience,” presented a skillfully curated collection of...
There’s about 14 different choreographies in this 13-minute long dance film, Dive....
For fifteen years, Duke Dang has been the bright, capable force behind...
