A Parisian Dream
A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
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Forward-thinking London-based urban dance collective Blue Boy Entertainment's superb show is so titled with a deliberate mis-spelling, as according to their co-Artistic Director Michael 'Mikey J' Asante: “The names are written the way they are because they could be the names of people”—a deliberate tactic to avoid racial connotations and stereotyping, from the racially diverse company.The colours are rooted in universality, tightly packed in themes of identity, war, and survival, which touch everyone. It is a thrilling call for peace and tolerance.
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Blue Boy Entertainment perform “Blak Whyte Gray.” Photograph by Carl Fox
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A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.
Continue ReadingEntering his 10th year as artistic director of Philadelphia Ballet, Ángel Corella put his artists through a ring of fire in their early spring concert at the Academy of Music.
Continue ReadingIn her 1951 autobiography Dance to the Piper, Agnes de Mille spends seven pages describing in colorful detail what it was like to be on the road with the Ballets Russes.
FREE ARTICLESix dancers enter from stage left and position themselves along the rear wall, their backs to the audience. Today, the light through a row of windows casts them in silhouette.
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