The final programme of the Royal Ballet’s Spring/Summer season sees the company perform a mixed bill of work by their founder choreographer, Frederick Ashton. Including two of his narrative works, one comic (“The Dream”) and one tragic (“Marguerite and Armand”), as well as the first piece he created for the Royal Opera House stage (“Symphonic Variations”), it’s a bill that pays homage to this admired choreographer. While there are times where the age of these works feels noticeable, the programme is, nonetheless, an enjoyable close to the season.
Zenaida Yanowsky and Roberto Bolle in Frederick Ashton's “Marguerite and Armand.” Photograph by Tristram Kenton
One would think that a dance inspired by the events of the January 6 insurrection—yes, a dance!—would not be the ideal stuff of theater, but the eight members of Laurie Sefton Creates (formerly Clairobscur Dance Company), succeeded in giving life to Sefton’s premiere “Herd. Person?”, while the dance, itself, was occasionally problematic.Continue Reading