Big leaps, big smiles, big energy—Carlos Acosta’s new “Don Quixote” for Birmingham Royal Ballet does its darndest to capture the...
JoinedMay 12, 2014
Articles103
Sara Veale is a London-based writer and editor. After studying dance and literature in her native North Carolina, she swapped the sunlit Land of the Pines for misty England to pursue an MA in English at University College London. Her writing has appeared in DanceTabs, Auditorium, Exeunt, Review 31 and more.
All hail the marching ensemble, a brigade of bouncing hips and outstretched arms, palms flexed and chins thrust to the...
A beast mourning the beauty he could never have—this is the fate of Creature, the protagonist in Akram Khan’s new...
The sputtering stop-start of lockdown measures in the U.K. has wiped most of the 2020 dance season from the calendar,...
Lockdown has seen a major uptick in dance on screen, although much of what’s streaming is old runs and historic...
Watching Richard Alston Dance Company perform is like visiting a Rothko exhibition. It’s tidy, bright and expressive, confident in what...
