Although seemingly an evening of classical ballet, Philadelphia Ballet’s mid-March run at Philadelphia’s Academy of Music, “Bold, Brilliant, Balanchine” was...
JoinedNovember 11, 2017
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Merilyn Jackson has written on dance for the Philadelphia Inquirer since 1996 and writes on dance, theater, food, travel and Eastern European culture and Latin American fiction for publications including the New York Times, the Warsaw Voice, the Arizona Republic, Phoenix New Times, MIT’s Technology Review, Arizona Highways, Dance, Pointe and Dance Teacher magazines, and Broad Street Review. She also writes for tanz magazin and Ballet Review. She was awarded an NEA Critics Fellowship in 2005 to Duke University and a Pennsylvania Council on the Arts Fellowship for her novel-in-progress, Solitary Host.
Philadelphia Ballet premiered three commissions in a program called New Works for a New World last weekend in the intimate...
No, but I spent two sunny afternoons in the Philadelphia Museum of Art for dances based on or in reference...
For half its 50-year life, I’ve been reviewing Philadanco! concerts. It’s the premiere mixed-race company in the country. Founded in...
Ronen (Roni, as he likes to be known) Koresh premiered “TikVAH,” his first work back at Philadelphia’s Suzanne Roberts Theatre...
What better way to review a newly named ballet company than on World Ballet Day? At almost 60 years old,...
