Over the decades, the Philadelphia Museum of Art (PMA) has presented music and dance events in the East entrance’s Great...
JoinedNovember 11, 2017
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Merilyn Jackson has written on dance for the Philadelphia Inquirer since 1996 and writes on dance, theater, food, travel and Eastern European culture and Latin American fiction for publications including the New York Times, the Warsaw Voice, the Arizona Republic, Phoenix New Times, MIT’s Technology Review, Arizona Highways, Dance, Pointe and Dance Teacher magazines, and Broad Street Review. She also writes for tanz magazin and Ballet Review. She was awarded an NEA Critics Fellowship in 2005 to Duke University and a Pennsylvania Council on the Arts Fellowship for her novel-in-progress, Solitary Host.
Penn Live Arts’ Dance Theatre of Harlem program this past weekend at Philadelphia’s Annenberg Center braided together an historical, social,...
“Romeo and Juliet” was a favorite in high school lit-class, a real two-hanky play. My first experience of any version...
Although audience members shivered in the first cold night as they entered one of Philadelphia’s finest downtown performance palaces, the...
The spectacle is the existing orders’ discourse about itself, it’s laudatory monologue. Guy Debord, Society of the Spectacle Early in...
Philadelphia’s 17-year young BalletX has gifted the city with more than 100 world premiere contemporary ballets and then taken them...
