I want to find dance’s “fundamental feature” as Roland Barthes, in his 1980 Camera Lucida, did for photography. I’ll begin,...
JoinedApril 4, 2014
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Six years ago, when I began teaching at the Fashion Institute of Technology for applied and not-so-applied arts, the professors...
“The Inkomati (dis)cord”—a world-travelling collaboration between dance-theatre artists Boyze Cekwana of Soweto and Panaibra Canda of Maputo, Mozambique—ends on a bright, sardonic note, with a multilingual game of “Telephone.”
The London-based choreographer Arthur Pita adapted “The Metamorphosis” for the stage in 2011 under the auspices of the Royal Ballet, with the hyper-flexible principal Edward Watson in the person—and bug—of white-collar drone Gregor Samsa.
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