To give an idea of Cunningham—the heightened attention his dances afford, at the base of which is a faith that...
JoinedApril 4, 2014
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Apollinaire Scherr is the New York-based dance critic for the Financial Times. She has written regularly for the New Yorker, the New York Times, and Newsday, and contributed to Salon, New York magazine, the Village Voice, Elle, the San Francisco Chronicle, Barnard magazine, and Flash Art International.
Mikhail Baryshnikov, Wendy Whelan and Damien Woetzel on being in the studio with Jerome Robbins
When American Ballet Theatre principal Michele Wiles founded BalletNext with New York City Ballet alum Charles Askegard shortly after decamping...
Balanchine thought that wondering what a ballet was about was like pondering the theme of a flower. Cunningham averred that...
I want to find dance’s “fundamental feature” as Roland Barthes, in his 1980 Camera Lucida, did for photography. I’ll begin,...
Six years ago, when I began teaching at the Fashion Institute of Technology for applied and not-so-applied arts, the professors...
